[Everyone Says I Love You]

When I was looking for other DVDs at my parents’ house over Christmas, I found Everyone Says I Love You, which was very exciting. I had almost bought it again recently, because I couldn’t remember if I owned it or not. This is what happens when I am away from my DVD collection for too long. It is very much a comfort movie for me, because I love Woody Allen and I love musicals. So, yay! This time around it reminded me that I really need to see some Marx Brothers stuff, as if I have seen any, it was when I was too young to remember. Also, I should broaden my Woody Allen viewing.

[Breakfast on Pluto] [Jarhead]

I skimmed the RottenTomatoes page for Breakfast On Pluto earlier this week, and one of the reviews said that the film never quite took off. Which is somewhat true, but I’m not entirely sure that I care. Why? Because Cillian Murphy was so damned good. (Also, I can’t believe it took me until the end of the film to realize that this is the second film he & Liam Neeson have been in together this year. Dude.) The book was more effective emotionally, but I’m wondering if that has more to do with my very American difficulty with accents. (I am very sorry! I try!) Maybe so. If I were to reread the book now, though, I’d hear Cillian whispering in my ear. Not that that would be a bad thing, mind you. Ahem.

In an unrelated moment of grrr, I am so annoyed by comments on how “nothing happened” in Jarhead. That’s the point! Also, it’s not true. There are things like narrative tension and character development and they can both happen even if shit is not getting blown up. Point being, I found the film satisfying indeed. Even if “nothing happened”. It’s one of my favorites for 2005, which is funny, because I never expected to love a Sam Mendes film. They tend to look much better than they actually are, thanks to Conrad Hall. I had wondered what on earth Mendes was going to do after Hall passed away, but he scored Roger Deakins who, among other things, has lit roughly a bazillion Coen Brothers’ films. But also, he somehow managed to create a compelling film. To -me-, anyway.

[TV on DVD]

* I finished watching “Wonderfalls” last night. Sigh. It’s the second time I’ve seen it all the way through — the first time I spent the last few episodes in fear that it would end before things were resolved. Watching it now reminds me that I need to write up something on character likeability and identification and such in the primary journal, because I enjoy watching unlikeable characters, and recently it’s been pointed out to me that this is somehow strange.

* On a vaguely related note, last night I also watched the premiere of “This Space For Rent” which wasn’t perfect by any means, but made me laugh out loud enough that I’ll stick with it at least for a bit. I spent half of the episode trying to figure out why Lucky looked so darn familiar, and then I gave up and checked the IMDB. He was in a CKR movie and an episode of “Wonderfalls”. So there you go. I also enjoyed that the coffee shop Barnaby worked at was called “Jarheads”. But I am easily amused.

* One other thing! I think it’s pretty darn cool that CBC has the first episodes of their comedy premieres this week up on the website for free. That’s how you use technology, folks.

[2005 film wrap-up]

Best feature: Capote.

Runners-up: Everything is Illuminated, Transamerica, Walk the Line.

Best documentary: Murderball.

Other good stuff: Batman Begins, Brokeback Mountain, Goodnight and Good Luck, A History of Violence, Mirrormask, The New World, Serenity, The Squid and the Whale, Wallace and Gromit: The Curse of the Were-Rabbit.

The best movies no one else saw: Cinderella Man, In Her Shoes, Jarhead, Kiss Kiss Bang Bang.

Best ride: Kamikaze Girls.

Movie I was most surprised that I enjoyed: Madagascar.

Most woefully overlooked by the Academy: Nine Lives, for Robin Wright Penn.