Let’s do this thing! Capsule reviews of SIFF 2013, weekend one, minus anything that will be going up on Manga Bookshelf, and…GO:
* Much Ado About Nothing is exactly what it looks like: a fun Rolodex movie. Standouts include Amy Acker, Clark Gregg, and the Nathan Fillion/Tom Lenk double team of ridiculousness who’ve seen one too many cop movies. It’s in a modern setting, which sometimes works and sometimes doesn’t, and Alexis Denisof is a bit of a ham (but then, so is Benedick), and in the end it’s just dang charming. More low-budget Whedon surprises like this, please!
* Five Dances follows a young gay man as he begins working on a performance with a group of dancers in New York. The dialogue is lacking (as is sometimes the delivery), which is fine because the dialogue is not the point. The gorgeous (and beautifully shot) dancing is, and it was right of director Alan Brown to trust these dancers to tell the story of their work together and the complexities of the changing relationships between them.
* Concussion stars Robin Weigert, best known to me as Calamity Jane from Deadwood, but also virtually unrecognizable if you only know her from there. Inspired in part by the elite call girl portion of The Vagina Monologues, it’s a body-positive, sex-positive, sex-work positive film that is also a portrait of a midlife crisis in the context of an upper class lesbian marriage. Halfway through SIFF, it’s still my favorite feature. Easily best actress, too.
* Secret #1 is a secret, obviously, but here’s a Mad Lib style review: it was interesting, but afterwards we thought perhaps we would have liked it better if it had been a _____ of _____ narrated by _____, especially if it focused on the internal life of _____. I’m pretty sure I didn’t give anything away with that.
* Middleton is an affable, opposites attract film about two parents (Andy Garcia & Vera Farmiga) who meet as they’re touring a small college with their children. It doesn’t break any new ground, except insofar as it’s about an older couple, which of course, is groundbreaking in its own way. Perfect ending, shot like a sun-dappled college recruitment pamphlet, and (to our surprise) featuring Vera’s sister Taissa as her daughter.
* Inspired by true events, as the kids say, The Deep portrays an incident from 1984 where an Icelandic fishing boat capsized and a single fisherman managed the considered-impossible task of swimming many hours to safety. Iceland’s submission to the Academy Awards, it was naturalistic & engaging (especially once I adjusted my personal pacing expectations from the incident to the incident plus the aftermath, both personal and public.)
So, clearly my favorite of the lot was Concussion, with no duds in the first weekend. What did you love?