* The Topp Twins: Untouchable Girls is that film we always wanted and never knew we needed: a documentary about yodeling lesbian twins from New Zealand. If you think that sounds intriguing, you’ll love it. Which I did. If it makes you want to claw your ears off, that is fair. Not all the movies are for you.
* Later in the day, I overheard a conversation regarding Ginny Ruffner: A Not So Still Life, where they said that Ginny was clearly more talented than the filmmakers telling her story, and I do think that is true. It couldn’t quite decide what sort of a documentary it wanted to be, and I feel like there is a lot more to know about Ruffner, but I appreciated the opportunity, such as it was, to peek into her world.
* Hipsters was just a crazy lot of fun, a candy-colored musical with plenty of painfully pretty young people rebelling against the conformity of Soviet Russia. I loved it, from the costumes to the cinematography to the choreography, and the 125 minute running time flew past. A++ would boogie again.
* Continuing the musical theme (more or less) next up was Nowhere Boy, the early days of John Lennon biopic. Which was fine, solid stuff, but after sex & drugs & rock & roll I’m finding myself with less patience for the solid biopic. But it is what it is. Aaron Johnson is excellent as Lennon, though there is something Casey Affleck-y about his facial structure that was distracting. Also, seriously. Thomas Sangster (Paul McCartney) is allegedly 20? But he’s looked 11, tops, in everything (Doctor Who, Bright Star, etc). Someday he’ll grow up properly and I won’t recognize him anymore. Hell of an actor, though the best part of this movie was definitely the women in Lennon’s life: his aunt Mimi (Kristin Scott Thomas) & his estranged mother (Anne-Marie Duff). They were fantastic.
* Cell 211 was the last film of the night and the best film of the day. Winner of several Goya awards, it’s an edge-of-your-seat thriller set during a prison riot. A newly-hired guard is touring the prison the day before his first day of work when the riot breaks out, and due to an injury moments before, he’s left behind when all the other guards escape. He poses as a new prisoner and has some good ideas of his own that help earn what little trust the leader Malamadre has to give. It’s a complex web of motivations (of guard & prisoner alike), and the cast is amazing. Definitely earned its place in the best of festival.