Now that no one cares, let’s react a bit to the Oscar Nominated Short Films.
French Roast (France): The coolest thing about this short is that about half of the action takes place in the mirror behind a customer in a café. The second coolest thing is what it has to tell us about nuns, namely, that they cannot be trusted.
Granny O’Grimm’s Sleeping Beauty (Ireland): Great use of two different animation styles, one for the grandmother telling the story and the other for the story being told. I liked it a lot.
The Lady and the Reaper (Spain): Probably my favorite, if only because I enjoy rooting for death.
Logorama (Argentina): Which took home the Oscar, and which I rather hated. It’s a fantastic concept, and I get that it was supposed to be satirical, but that is no excuse for a totally crap script. I am not amused,
A Matter of Loaf and Death (UK): Latest Wallace & Gromit installment, which I was totally on board with until you discover that the murderer’s motive? Is that they have gained weight.
They also showed three bonus shorts: Partly Cloudy (which everyone had seen before Up), The Kinematograph (I wasn’t that into the story, but the texture of the animation was very cool) and Runaway (a fun Canadian short about a train and a cow and ensuing hijinks).
The Door (Ireland): Which would have made a lot more sense if we’d had the Chernobyl context at the beginning rather than the end.
Instead of Abracadabra (Sweden): Screwy, very Swedish short about a wannabe magician.
Kavi (India/USA): Frustratingly, only half of a good short on modern-day slavery. It ends a bit abruptly, and I would have really liked it to go on a bit longer.
Miracle Fish (Australia): Fantastic. Probably the best of the bunch, with true narrative tension and a great performance by the child star.
The New Tenants (Denmark/USA): The winner, dark, which reminded me a lot of Six Shooter.