[SIFF is coming! Look busy!]

I was doing so well for a while there, but I guess when I wasn’t seeing something every other day I forgot to keep this up. But SIFF is coming — the schedule is out next week! — so this is a good time to clean up this file.

* Putney Swope was another one of those 69 series movies I wouldn’t have seen if I didn’t have the full series pass, so I’m glad I did. It was interesting as a cultural artifact, and I did laugh, but I also spent a lot of time thinking “I see what you did there, but I’d be more interested if the writer-directer wasn’t white.” Maybe that’s just me.

* Sullivan’s Travels, however, was unquestionably great. It’s a meta-picture about the Hollywood system & the Depression (timely, that!), though I must admit a large part of why I wanted to see it is that the film Sully wants to make all through it? O Brother, Where Art Thou.

* The Class was fantastic, and yet another movie to make me Very Bitter that I speak about three words of French. You *know* that the subtitles left out about 90% of the material. It’s a year-in-a-classroom film based on the book by François Bégaudeau, who also plays a version of himself. The setting might make it easy to dismiss, but it’s not just Les Minds Dangereuses. I was particularly interested in the immigrant make-up of the class and the tensions that creates, and I loved how complex François was — he makes mistakes & decisions that could turn the audience against him. Finally, it’s interesting that the entire film takes place within the school, within the year. As an audience you experience the same frustration the staff does of only knowing a fraction of a student’s life.

* I haven’t seen Rear Window in years, so I was pleased about the opportunity to see it on the big screen in a full theater. It’s still a great movie. Obviously. And now I will use my icon of Kris Marshall in the Rear Window episode of “My Life in Film.”

In other news, due to total calendar reading fail, I missed Fellini’s Satyricon & The Damned. I am totally bitter about this, which is ridiculous in the grand scheme of things.

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